Monologic şi dialogic în romanul Zbor frînt de Vladimir Beşleagă [Articol]

Abstract

This article takes as its starting point the examination of the critical bibliography of the novel Zbor frînt by Vladimir Beșleagă. The result of our assessment shows that although Andrei Hropotinschi, Ion Ciocanu, Alexandru Burlacu, Aliona Grati, Mircea V. Ciobanu and other commentators have thoroughly researched the novel, studying it from various perspectives, the categories of narrative dialogue, monologue, soliloquy, stream of consciousness remained insufficiently investigated; though, through these techniques the novel has become one of the most outstanding works of the Romanian Literature from Bessarabia of the 60's. First of all, the historical moment when the novel was written should be taken into consideration. The experiment that the author makes is manifested by the dialogical nature of the main character's interior monologues. The protagonist's moments of soliloquy impress the reader too, by its close link to the interior dialogue. The main character’s self-consciousness addresses both himself and others. Isai does not meditate about his destiny, but he converses with himself in different hypostases. His personality consists of several transmitters, but only one receiver, Isai. Within the limits of one consciousness two voices, having different orientations, are combined. This leads to the appearance of the “double”, which provokes the inner conflict between Isai-adult and Isai-child.