Аннотации:
This article approaches the theme of concentrationary space, a less discussed topic in the detention memoirs, a genre dominated by the uncertainty of the dissident-protagonist and by the Communist imprisonment regime. The main coordinates of the concentrationary communist universe Alexei Marinat’sMe and the Worldare highlighted by trying to recreate the Bessarabian Gulag memory and the oppression of the Communist regime characterizing that period. The artistic devices point at the coordinates of the concentrationary space and at the documentary and survival purpose, primarily pursued by the author. The article also seeks to analyse the stylistic register used by Alexei Marinat, which is a way of highlighting the concentrationary reality.