Полифония и контрапункт в «маленькой трагедии» А. Пушкина «Моцарт и Сальери» [Articol]

Abstract

The article studies the musical structure of Pushkin’s tragedy “Mozart and Salieri”: its polyphonic character, as well as the system of counterpoints. M.Bakhtin’s theory serves as the scientific basis of the work. The author comprehensively the counterpoints analyses in Salieris monologue: genius and villainy, friendship and enmity, arts and crafts, etc.