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Пушкин – «Француз», или модели французской поэзии в творчестве А. С. Пушкина [Articol]

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dc.contributor.author Сузанская, Татьяна ru
dc.date.accessioned 2020-05-21T10:15:01Z
dc.date.available 2020-05-21T10:15:01Z
dc.date.issued 2020
dc.identifier.citation Сузанская, Татьяна. Пушкин – «Француз», или модели французской поэзии в творчестве А. С. Пушкина / Татьяна Сузанская // Tradiţie şi inovare în cercetarea ştiinţifică, Ediţia a 9-a: Materialele Colloquia Professorum din 11 oct. 2019. – Bălţi : US „Alecu Russo”, 2020. – P. 60-65. – ISBN 978-9975-50-243-6. ro
dc.identifier.uri http://dspace.usarb.md:8080/jspui/handle/123456789/4584
dc.description.abstract Pushkin's impact on French poetry of the XVIII – beginning of XIX century exceeds all other influences. The author starts from the well-known thesis of F. M. Dostoevsky "the world responsiveness" of Pushkin and notes that is no less relevant themes: Pushkin is "an Englishman, Alexander Pushkin is "a German", Pushkin is "an Arab", Pushkin is "an Italian", Pushkin is "a Serb" etc. Inspired by the phenomena of world literature and culture, however, Pushkin remains unique Russian poet in his national identity. The article presents the poet's poems corresponding to the main models of French poetry and culture mastered by Pushkin in his youth: 1. Libertine culture (libertinage); 2. Rococo poetry; 3. Fugitive poetry. An example confirming the influence of French poetry on poet’s mature creation is the analyzes of Pushkin's poem "Henchman or the fifteenth year" (1830). en
dc.language.iso ru ru
dc.publisher USARB r
dc.rights Attribution-NonCommercial-NoDerivatives 4.0 International *
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/4.0/ *
dc.subject libertinage en
dc.subject rococo en
dc.subject fujitive en
dc.subject system of images en
dc.subject composition en
dc.subject epigraph en
dc.subject theme en
dc.subject idea en
dc.title Пушкин – «Француз», или модели французской поэзии в творчестве А. С. Пушкина [Articol] ro
dc.type Article en


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