Стилистико-языковые аспекты в эстетике художественного творчества во взаимосвязи с философскими и психологическими теориями (Ф. Шелдинг, Э.Т.А. Гофман, Ф. Ницше, З. Фрейд) [Articol]

Abstract

Fantasy in the works of E.T.A. Hoffmann, one of the greatest German writers of the 19th century, was influenced by F. Schelling’s philosophical theories. However his novels and fairy tales influenced the psychoanalysis of S. Freud and the creation of F. Nietzsche. This idea gives us the possibility to understand profoundly the peculiarities of fantasy from the point of view of temporality. This refers not only to E.T.A. Hoffmann, but also to other fantasy-writers. The penetration of reality into the world of fantasy and viceversa, that is realised at diferent levels including the temporal one makes time pass slower, quicklier or leads to its complete stop. These are idicators that the world of the main character is deregulated, that the character is situated between two worlds, the real and unreal ones, and he/she is ready to pass the barrier beween them. But the main character, the enthusiast, is in the state of mood that doesn’t help him to understand the situation. That’s why the events develop in both worlds simultaneously. The presense of the enthusiast in the works of E.T.A. Hoffmann is the deep mark of F. Schelling’s philosophy. The psychological state of the main character was minutiously studied and described by the great Austrian psychoanalitic S. Freud. During its development philosophy used E.T.A. Hoffmann’s literal experience as well as that of the philosophers from the privious periods and became a form of sythesis in the phylosophical heritage of F. Nietzsche.