Аннотации:
The article describes the process of the evolution of the Moldavian contemporary music for piano, of the partial assimilation by the composers of the different styles of music, of the evolution of pedagogical activities, interpretative and editorial, from the Republic of Moldova in the second part of the XXth century. It also analyzes the introduction of the national pieces for piano in the educational repertory and for competition. The author traces out a correlation between pedagogical approval and concert performers of the pieces for the piano and their further publishing.