Аннотации:
The teaching and the formation of musical knowledge is not only a pedagogical act of knowledge transmission, but also an act of deep experience of music, of sonorous message perception, of investigation and discovery of the truth. Thus, in this process the pupil is not only a receiver, but also the confirming subject of musical work – the one who finds out/ discovers/creates the truth, operating the mechanism of musical cognition – the comparison, the generalization and the application of musical knowledge. Thus, the experiment was expected to develop a Model methodology of training and teaching musical knowledge to primary school pupils that due to the generality of its epistemic foundation can be applied to all classes.