Please use this identifier to cite or link to this item: http://dspace.usarb.md:8080/jspui/handle/123456789/6612
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dc.contributor.authorGlavan, Carolinaro
dc.contributor.otherFoghel, Ecaterina, conducător şt.ro
dc.date.accessioned2024-10-08T14:41:01Z-
dc.date.available2024-10-08T14:41:01Z-
dc.date.issued2024-
dc.identifier.citationGlavan, Carolina. Intertextualité et originalité dans les fables de la fontaine / Carolina Glavan ; conducător ştiinţific: Ecaterina Foghel // Interuniversitaria : Materialele Conferinţei Ştiinţifice Internaţionale a Studenţilor, 18 aprilie 2024, Ediţia a 20-a. – Bălţi : [S. n.], 2024 (CEU US). – Vol. 1. – P. 21-24. – ISBN 978-9975-50-330-3.fr
dc.identifier.urihttp://dspace.usarb.md:8080/jspui/handle/123456789/6612-
dc.description.abstractEvery literary work is special and unique in its own way, but it seems axiomatic that elements of intertextuality would be found there, such as: themes, expressions, plot patterns common to other works. This is a proof of the fact that many authors were inspired by some of their predecessors and interacted with their works in a subtle way. Still, having similar traits of the expression manner or treating the same themes of human existence, nature, love etc., does not reveal a lack of originality. It just emphasizes the diversity of literary influences. In this article we aim to ascertain the above ideas on the example of the fables of the French author Jean de La Fontaine, highlighting some of the signs of the evolution of intellectual approaches to some subject matters through intertextuality.en
dc.language.isofrfr
dc.publisherUSARBro
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectintertextualityen
dc.subjectinspirationen
dc.subjectoriginalityen
dc.subjectfableen
dc.subjectinfluenceen
dc.titleIntertextualité et originalité dans les fables de la fontaine [Articol]fr
dc.typeArticleen
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