Музыкальная память: ее виды и методы развития в классе фортепиано [Articol]

Abstract

Musical memory along with musical hearing and a sense of rhythm are considered strictly necessary skills in the art of piano singing. Oral interpretation is an advantage of the pianist, offering the possibility of a higher degree of expressiveness, freedom of interpretation on stage. The article ddresses the issue of musical memory and its types. From a methodological point of view, various techniques and methods of working with musical creation are proposed, focusing on the development of a pianist's memory skills.