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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Дьяков, Дмитрий | ru |
| dc.contributor.author | Сузанская, Татьяна, науч. рук. | ru |
| dc.date.accessioned | 2020-11-02T09:12:39Z | - |
| dc.date.available | 2020-11-02T09:12:39Z | - |
| dc.date.issued | 2019 | ro |
| dc.identifier.citation | Дьяков, Дмитрий. Полифония и контрапункт в «маленькой трагедии» А. Пушкина «Моцарт и Сальери» / Д. Дьяков ; науч. рук. Татьяна Сузанская // Interuniversitaria : Materialele conf. şt. a studenţilor, 23 apr. 2019, ed. a 15-a. – Bălţi, 2019. – Vol. II. – P. 43-48. – ISBN 978-9975-50-241-2. | ru |
| dc.identifier.uri | http://dspace.usarb.md:8080/jspui/handle/123456789/4801 | - |
| dc.description.abstract | The article studies the musical structure of Pushkin’s tragedy “Mozart and Salieri”: its polyphonic character, as well as the system of counterpoints. M.Bakhtin’s theory serves as the scientific basis of the work. The author comprehensively the counterpoints analyses in Salieris monologue: genius and villainy, friendship and enmity, arts and crafts, etc. | en_US |
| dc.language.iso | ru | en_US |
| dc.publisher | USARB | ro |
| dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
| dc.subject | polyphony | en_US |
| dc.subject | counterpoint | en_US |
| dc.subject | monologue | en_US |
| dc.subject | tragedy | en_US |
| dc.subject | character portrayal | en_US |
| dc.title | Полифония и контрапункт в «маленькой трагедии» А. Пушкина «Моцарт и Сальери» [Articol] | ru |
| dc.type | Article | en_US |
| Appears in Collections: | Articole | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Diacov_D_polifonie.pdf | 765,66 kB | Adobe PDF |  View/Open |
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