Please use this identifier to cite or link to this item: http://dspace.usarb.md:8080/jspui/handle/123456789/4717
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dc.contributor.authorКузминовa, Maринaru
dc.contributor.otherГупалова, Елена, науч. рук.ru
dc.date.accessioned2020-10-06T07:09:40Z-
dc.date.available2020-10-06T07:09:40Z-
dc.date.issued2020-
dc.identifier.citationKузминовa, Maринa. Некоторые особенности изучения фортепианных произведений Олега Негруцы в старших классах музыкальной школы / Maринa Kузминовa ; coord. şt.: Елена Гупалова / Interuniversitaria : Materialele Conferinţei Ştiinţifice a Studenţilor, Ed. a 16-a, 08 oct. 2020. – Bălţi : US „Alecu Russo”, 2020. – P. 226-231. – ISBN 978-9975-50-248-1.ru
dc.identifier.urihttp://dspace.usarb.md:8080/jspui/handle/123456789/4717-
dc.description.abstractThis article explores the features of studying the piano works of Oleg Negruta in the higher classes of music school. Piano plays by O. Negrutsa are based on clear, figurative, memorable themes that have a number of national-genre properties. They are distinguished by the subtlety of the transfer of Moldavian flavor. All his works are distinguished by clear phrasing, clear articulation, flexible thematic contours, subtle strokes, vivid climaxes and sharp dynamic contrasts that are often found in practice of lautarian performance.en
dc.language.isoruru
dc.publisherUSARBro
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectpiano playsen
dc.subjectMoldavian flavoren
dc.subjectthe higher classesen
dc.subjectmusic schoolen
dc.subjectlautarian performanceen
dc.subjectfolkloreen
dc.titleНекоторые особенности изучения фортепианных произведений Олега Негруцы в старших классах музыкальной школы [Articol]ru
dc.typeArticleen
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