Please use this identifier to cite or link to this item: http://dspace.usarb.md:8080/jspui/handle/123456789/3430
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dc.contributor.authorLeahu, Nicolae-
dc.date.accessioned2017-10-05T11:48:20Z-
dc.date.available2017-10-05T11:48:20Z-
dc.date.issued2016-
dc.identifier.citationLeahu Nicolae. Grigore Chiper. Cărţile începuturilor ./ Nicolae Leahu // Conferinţa ştiinţifică internaţională „Tradiţie şi inovaţie în cercetarea filologică”, 27 octombrie 2015 Vol.1. - 2016. - P. 138-143.ro
dc.identifier.urihttp://dspace.usarb.md:8080/jspui/handle/123456789/3430-
dc.description.abstractBeing part of a larger study, this article examines the way in which Grigore Chiper’s poetics is constituted in his first two books Abia tangibilul and Aici, în falset. The author has accredited two ways of manifesting modernity in poetry: notation poetry and fragmentaristic poetry, in the Romanian lyrics in Bessarabia of the 1980 s.en
dc.language.isororo
dc.publisherUSARBro
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internațional*
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internațional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectpoetryen
dc.subjectnotation poetryen
dc.subjecteightiesen
dc.subjectfragmentaristic poetryen
dc.subjectpersonal poeticsen
dc.titleGrigore Chiper. Cărţile începuturilor [Articol]ro
dc.typeArticleen
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