Звукоизвлечение как основа формирования исполнительской культуры учащегося-пианиста [Articol]

Гранецкая, Лилия; Папенюк, Марина

Please use this identifier to cite or link to this item: http://dspace.usarb.md:8080/jspui/handle/123456789/1511

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DC Field	Value	Language
dc.contributor.author	Гранецкая, Лилия	-
dc.contributor.author	Папенюк, Марина	-
dc.date.accessioned	2016-02-19T12:49:59Z	-
dc.date.available	2016-02-19T12:49:59Z	-
dc.date.issued	2013	-
dc.identifier.citation	Гранецкая, Лилия. Звукоизвлечение как основа формирования исполнительской культуры учащегося-пианиста = The sound emission as the basis of interpretative culture formation of piano student / Л. Гранецкая, М. Папенюк // Artă şi educaţie artistică: rev. de cultură, şt. şi practică educaţională. - 2013. - Nr 2. - P. 63-68.	ru
dc.identifier.uri	http://dspace.usarb.md:8080/jspui/handle/123456789/1511	-
dc.description.abstract	The sound emission in achieving the musical and interpretative act in piano class is conceived by the authors as a current, interesting and complex one. Arising from the postulate that music is a sonorous art, the performer-pianist’s goal is to achieve the sound emission at a creative and artistic level. In this article, the authors have developed a scheme, a psycho-pedagogical model of achieving the musical and artistic act, where the element “sound emission” plays a key role.	en
dc.language.iso	ru	-
dc.publisher	USARB	-
dc.rights	Attribution-NonCommercial-NoDerivatives 4.0 Internațional	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/	*
dc.subject	piano interpretation	en
dc.subject	interpretative culture of the piano student	en
dc.subject	musical thinking	en
dc.subject	auditive experience	en
dc.subject	imaginative perception	en
dc.title	Звукоизвлечение как основа формирования исполнительской культуры учащегося-пианиста [Articol]	ru
dc.title.alternative	The sound emission as the basis of interpretative culture formation of piano student	en
dc.type	Article	en
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